Tomorrow I turn in "Bossy" my donation to Art Walk for Annie. I hope you'll come to the event and buy a painting to help support Annie and her family! (All proceeds will go directly toward medical expenses). "Art Walk for Annie", Tuesday, December 7, 6:30-8:30 pm Sunset Presbyterian Church Lobby 14986 NW Cornell Road (xHwy 26, by Phoenix Inn and Arco Station) Portland OR 97229
This oil sketch is mostly burnt sienna & white with a little Ultramarine Blue thrown in for the darker areas. Sketching with paint is a lot like regular sketching with dry materials...there is never a need to feel overly invested in the results...it's all just for fun and/or practice.
Oil Sketch: Celeste Bergin, Woman in black hat, oil on 6 x 14 canvas panel
Cathleen Rehfeld tells me that it is great practice to "....paint something in only 15 strokes." I gave that a go here with my colorful bird study.
Tonight I also made an important correction to my downtown walkers painting (below). I added considerable height to the 2nd guy from the left (and he still looks a little short-ish). Scale is a very important factor in all paintings...In the original version I emphasized height variety (to create interest), but I unwittingly made that guy into a "little person").
I thought I'd add today's photo of Daisy, who wanted to help me take pictures. She deserves some credit. Hey....how was your Saturday? Did you do anything creative?
(Top) Study: Celeste Bergin, Colorful bird in 15 strokes, oil on 6x6 gallery wrap canvas (Below) Study: Celeste Bergin, Downtown (revision) oil on 12x9 stretched canvas
Study: Celeste Bergin after Emile Gruppe, Harbor, oil on 16 x 20 masonite
Today I had a look at "On Painting" by Emile Gruppe (1896-1978). I like his muted colors. I thought I would try my hand at painting one of his paintings with his palette. I really like where he placed everything within the space. Sequence photos below: (1). I started with a sketch, (2). I set up my palette like his (3). Per Gruppe's suggestion, I put in darks as masses of blue, (4) after that it was a matter of putting in muted warms and cools. His is much better, of course--but (5). I think I managed to get some of the Gruppe "sense"....good practice!
I had a drawing teacher a long time ago who would occasionally insist that we draw with an "alternative" instrument. Remembering that, I used a stick and some brown ink to draw this self portrait. To date, I've done about 11 self portraits. Some are more successful than others. (Just 79 to go...Rembrandt created about 90). (Top photo) Drawing, Celeste Bergin, Self Portrait #11, ink on 6x9 paper (Bottom photo) Celeste Bergin, Self Portraits, Digital collage
A couple of days ago I wrote about how I am paying more attention to planning drama. In this study I set out to heighten some more orchestrated dark and light. This is a composite of a couple of ideas. I enjoyed painting it, especially for the old time-y sense of it. Great practice!
Oil study: Celeste Bergin, Goodbye, oil on 9 x 12 canvas panel
The Mansion is closed to the public November 19 – 21 while dozens of volunteers, professional designers, and local charities decorate the historic house with ribbons, garlands, poinsettias, and more than 15 Christmas trees. The Natural Beauty and Bounty of Oregon exhibit is part of the Holiday celebration and will be located in the Social Room.
Overall show dates: November 22 and January 2. (This year, Pittock Mansion will be open on New Year’s Day but closed on Thanksgiving Day and Christmas Day.)
Admission will be free for members, $9 for adults, $8 for seniors (65+), $6 for youth (ages 6 - 18) and free for children ages 5 and under.
I love the old style illustrations of yesteryear, so I'm emulating a Collier's Magazine type thing. There is no reason whatsoever for this, except for practice and to try my hand at some "drama". Great illustrators teach us that suggestion is very favorable and that it's desirable to leave things for the viewer to complete with their own eyes.
Study: Celeste Bergin, Dark & Light, oil on 9 x 12 canvas panel
Just for fun I painted this woman with "up-lights" it's not the sort of lighting treatment you see everyday and she's intentionally "warm". She's painted mostly with the paints leftover from other projects.
Painting: Celeste Bergin, In the Footlights, oil on 9 x 12 canvas panel
Today I went to the Museum Art Book Sale. I didn't know that it started yesterday so I imagine missed out on some great bargains...but I got three books that I'm really happy about. I saw the amazing Thomas Moran Shoshone Falls painting in the Museum and also attended a lecture about the American River in Art. I learned some things about one of my favorite artists, Thomas Hart Benton. At the end of the day I painted a cup of paint brushes. I also put some final touches on my Northwest Nightfall painting. Tomorrow I'll deliver it to the Pittock Mansion for their Winter exhibit: "Northwest Landscape" (November 22-Jan 2). And, what about you? Did you have an artful day??
Painting: Celeste Bergin, Paintbrushes, oil on 9x12 canvas panel
I plan to donate a painting to "Artwalk for Annie", a benefit for my artist friend Annie Salness. Instead of ferreting through my painting archives I might want to paint something new for the event. The Umbrella/Rain paintings are popular, so maybe a rain painting? <---This is a study. I may change that pink umbrella to a red one. That's the good thing about creating a study---studies are meant to be malleable.
Oil Study: Celeste Bergin, Rush Hour Rain II, oil on 9 x 12 canvas panel
To find out how you can participate in helping the Salness family go HERE.
I went to two art meetings today..the "regular" meeting at Bread & Ink and then a bonus meeting at Carolyn's where we were treated to the documentary film, An acquiring mind, Phillipe De Montebello (about the Curator of the Metropolitan Museum). Très intéressante! Today, I join in thanking Veterans! It's a day to honor the duty, sacrifice and service of America's nearly 25 million veterans of all wars. Click on the bottom photo:
(CLICK on Chloe's photo)
(Top photo): My garden brick painted by Dewey Davis, Photo 2: Today's weather! Photo 3: sketching at Bread & Ink, Photo 4: Chloe Hickinbottom
One of my favorite author/painters is Charles Sovek. In his book Oil Painting: Develop your Natural Ability Sovek shows a section on painting gestures. He recommends you paint directly onto printed newspaper, for warm up. (I think the idea is that you'll loosen up without a care about the results). I was thinking about Sovek's gesture exercise and also influenced by my blogging friend, Susan Sanford (ArtSpark) who often illustrates onto something that already exists. Susan/ArtSpark usually transforms something that had been relegated to a life in a drawer..into something "new".
Below are my gesture paintings onto some pages of an old book. What was really fun was making some of them step out of the page. Someday I might do more of these with a more serious intention. You might try this too..it is an engaging way to "loosen up".
Gesture exercises: Celeste Bergin, oil on previously printed paper, various sizes
The day began with a trip to one of my favorite art supply stores, Muse, where I bought some new pens, charcoal, a new sketchbook & a sharpener. We drove to Ridgefield Wildlife Refuge where I did some sketching (you're allowed only to get out of the car in just one place, the rest of the time the sketching has to take place in the car--which is not a bad thing, it was fun)... At the end of the day I turned my sketches into an oil painting (painted over one of my failed paintings).
Painting: Celeste Bergin, Heron, 2010, oil on 10x10 stretched canvas
Just a sketch today of the Plymouth "Sundance" that was parked in front of me. In other news...did you know that an Orange Mocha Frappuccino is a mocha with Valencia (orange) syrup and an extra espresso shot..? It tastes like the chocolate orange.... Recommended!
(Top) Sketchbook sketch: Celeste Bergin, Plymouth Sundance, 2010, ink on 6x9 paper
(Bottom) Orange coffee, Black & White object in window at Columbia Art Gallery, "Smile" sign atop Portland building, Zoolander ride
Have you wondered why you are creating? Have you ever thought about quitting (or not even starting)? Theories on this subject will be advanced (and answers provided) Wednesday, Sept 9, 6:30-7:30 2412 NW Raleigh St, Portland, OR 97210
OHSU Collaborative Life Science Bldg Invitation Only, Tilikum Bridge Lighting
Art Splash City of Tualatin Tualatin Commons 8325 SW Nyberg Street Tualatin, OR Reception, July 25, 2015
PACIFIC NORTHWEST PLEIN AIR 2015 Juried Competition and Exhibition (Juror: Bryan Mark Taylor) Columbia Art Gallery August 2015 Reception August 7, 6-8pm 215 Cascade Street Hood River, Or 97031
Broderick Gallery 1318 Commerce Ave, Longview, WA 98632 Reception: Sunday, June 7 1-6pm
(To celebrate its summer special exhibition: The Art of the Louvre’s Tuileries Garden) Event Dates: 8/8/2014 - 8/10/2014 Reception: 8/9/2014 Location: Portland Art Museum (503) 226-2811 1219 SW Park Ave Portland OR 97205
Alla Prima Portland First Annual Invitational Group Show 2014